-extra Quality-: Tommy Bolin 1966 1976 Fever Box Set 15 Cdsl

A surprisingly intimate disc. Here, away from the Marshall stacks, Bolin lays down acoustic demos of future Teaser classics. The "Extra Quality" is in the clarity: hearing "Teaser," "Wild Dogs," and "Someday Will Bring Our Love Home" stripped down reveals the strength of his songwriting beneath the virtuosity.

, Tommy’s first major band, including a fascinating 14-minute "Beatles Jam". The Fusion Foundation: Multiple discs dedicated to (1972) and his jazz-rock explorations with legends like Jan Hammer Billy Cobham (1971 sessions). The Powerhouse Eras: Extensive live and studio outtakes from his time with The James Gang , and his legendary stint replacing Ritchie Blackmore in Deep Purple The Final Days:

If you see a reference to "-Extra Quality- Tommy Bolin 1966 1976 Fever Box Set 15 Cds," you are likely looking at a fan-shared digital copy of this ultra-rare collection. Its "Extra Quality" lies not in pristine sound, but in its comprehensive and unvarnished portrait of Tommy Bolin. It is a flawed but essential archive for the dedicated fan, capturing a young artist in every environment—from high school gyms to jazz-fusion sessions to the final, fiery concerts of a life ended far too soon.

For decades, fans and scholars of the guitar have sought to understand the full breadth of his talent. That quest found its ultimate destination, in its most "Extra Quality" form, in the 2009 release from Japan: the . This isn't just a compilation; it is an exhaustive, career-spanning audio documentary that captures Tommy Bolin in every conceivable context—from high school gymnasiums to professional studios, from intimate demos to explosive concerts. A truly Extra Quality collector's piece, this set stands as the definitive testament to a genius silenced far too soon.

Collectors report that this specific pressing clarifies three things: -Extra Quality- Tommy Bolin 1966 1976 Fever Box Set 15 Cdsl

Comprehensive live sets from Long Island and Albany during his final tour. Collector's Notes

In the decades following his death, Bolin's legend grew, but official releases were often piecemeal. It was the 2009 Japanese release of the "Fever" 15-CD box set that finally gave fans the comprehensive portrait they had been craving. Marketed as a limited and unofficial release, it is a sprawling collection of over 15 hours of music, designed to chronicle every phase of his career from 1966 to the eve of his death in 1976.

True to its premium, "extra quality" designation, this box set features extensive liner notes, rare photographs, and in-depth interviews with Bolin's bandmates, friends, and family. Why the Fever Box Set Matters

Possible downsides

Tommy Bolin was a musician ahead of his time. Decades before "genre-bending" became a marketing buzzword, Bolin was effortlessly blending heavy metal riffs with Latin percussion, jazz scales, and reggae rhythms.

Before he became a household name in hard rock, Bolin provided the molten-hot guitar work on jazz drummer seminal 1973 album Spectrum . Bolin's aggressive, wah-drenched, and lightning-fast fretwork on tracks like "Quadrant 4" became instantly legendary in the fusion world. The Fever set supplements this era with alternate takes and live sessions that peel back the curtain on Bolin's improvisational genius. 3. Stepping Up: James Gang and Moxy (1973–1975)

– The final show. Sixteen days before his death. Previously circulated as a muddy audience recording, Fever uses the newly unearthed master cassette from the venue’s sound booth. The mix is incredible. You hear Bolin’s fingers squeak on the strings during the intro to “Homeward Strut.” You hear the crowd murmur. You hear the band falter during “Lotus,” then recover. The final “Stratus” is a 17-minute death spiral of genius—every note feels like a gamble. When the tape cuts, you are left in silence, mourning what rock music lost.

Many box sets slap a sticker that says "Remastered" and call it a day. Fever goes to war for Bolin’s legacy. A surprisingly intimate disc

The strength of the "Fever" set lies in its depth, featuring hours of rehearsals, jams, and live performances that never made it to his primary studio albums.

We start with raw, hissy 4-track recordings of The Den', Bolin’s first band. These aren’t for the faint of heart; they are for the obsessed. You hear a teenager wrestling with the blues, mimicking Clapton and Hendrix, but crucially, you hear the legato —that smooth, liquid attack—already forming. The unreleased instrumental “Fever Dream (Take 1)” is a revelation: a 12-minute psychedelic workout that predicts fusion years before Miles Davis crossed over.

| CD # | Era / Band / Session | Key Highlights & Context | | :---: | :--- | :--- | | | A Patch Of Blue (1966) | The earliest known recording of a 14-year-old Bolin. Covers of "Midnight Hour" and "My Girl" offer a raw, youthful glimpse of his precocious talent. | | 2 | Zephyr (1970-1973) | Live sets from Montana Gardens (1970) and a Boulder arts bar (1973) capture the jam-heavy, psychedelic energy of his first professional band. | | 3 & 4 | NYC Fusion Jams (1971) | Historic sessions with a supergroup-in-waiting (Bolin, Jan Hammer, Billy Cobham), showcasing his early jazz-fusion prowess and improvisational bravery. | | 5 & 6 | Energy (1972) | Archival studio recordings and demos from Bolin's post-Zephyr project, providing a crucial link between his psychedelic and hard rock phases. | | 7 | Tim Goodman Demos (1973) | Rare acoustic demos from Nashville, offering a gentler, more songwriting-focused side of Bolin in the period just before his solo career. | | 9 | James Gang (1974) | An incendiary live set from the James Gang era that captures the raw power and fire of Bolin's playing on tour, proving he could front a major act. | | 11 | Acoustic Demos (1974) | Stripped-down versions of songs and new material, spotlighting Bolin's compositional talent and the strength of his ideas in their purest form. | | 13 | Teaser and Private Eyes Demos | An invaluable peek behind the curtain at how his solo masterpieces were built, from skeleton ideas to fully-fledged arrangements. | | 14 & 15 | Long Island Concert (1976) | A superb live recording from just months before his death. It captures a man performing on the edge, channeling the energy of "Post Toastee" and "Stratus". | | 12 | DVC Jam (1976) | A home studio jam from just 10 days before his death, offering a haunting, final snapshot of Bolin in a relaxed, creative setting. |