Slipknot - We Are Not Your Kind -2019- ^new^ ❲Trusted - 2025❳

What separates We Are Not Your Kind from its predecessor, .5: The Gray Chapter , is its sonic cohesion. Production mastermind Greg Fidelman returned, but this time, the band leaned heavily into atmospheric avant-garde and industrial textures, largely credited to the electronic soundscapes crafted by Craig Jones and Sid Wilson.

One of the most striking aspects of "We Are Not Your Kind" is the sense of unity and purpose that pervades the album. Slipknot have always been a band of strong individual personalities, but on this record, they seem more cohesive and focused than ever.

A brief, orchestral ambient piece featuring a woman’s voice counting in French. It serves as a palate cleanser before the album’s most controversial track.

Released on August 9, 2019, We Are Not Your Kind is the sixth studio album by American heavy metal band Slipknot. It serves as a landmark record in the band's discography, marking a return to the darker, more experimental leanings of their early work while simultaneously cementing their status as modern metal titans. Produced by Greg Fidelman, the album is notable for being the first to not feature founding percussionist Chris Fehn, highlighting a significant internal shift in personnel and mindset. Slipknot - We Are Not Your Kind -2019-

One of the album's undisputed highlights. The track is built around a staccato guitar riff that is impossible to ignore. Taylor drops a sensational rap-metal verse before launching into a massive, melodic chorus. The bridge features the heaviest breakdown on the album, complete with a machine-gun drum pattern from Jay Weinberg.

The closing track and final single, “Solway Firth,” is a fierce, synth‑rocking anthem that raises a defiant middle finger to critics and outsiders. Its relentless energy and uncompromising lyrics provide a perfect, cathartic finale to the album’s emotional arc.

Slipknot have always been known for their intense live performances, and "We Are Not Your Kind" has only added to their arsenal. The band's current touring cycle has seen them play to sold-out crowds around the world, with fans eagerly singing along to the album's catchy choruses and headbanging to its aggressive riffs. What separates We Are Not Your Kind from its predecessor,

Slipknot's Corey Taylor Explains New Album Title - Revolver Magazine

Critically, it was hailed as a "return to form" and one of the best metal albums of 2019. Critics praised the band for not resting on their laurels; rather than releasing a nostalgia act, they pushed their sound forward. Publications like Kerrang! and Metal Hammer awarded it perfect scores, noting that the band sounded "hungry" again.

The album's lead single, "Unsainted", was a major success, peaking at number one on the US Billboard Mainstream Rock Airplay chart and earning a Grammy nomination for Best Metal Performance. The song's music video, which features the band performing in a variety of disturbing and surreal scenarios, was also widely praised for its innovative storytelling and striking visuals. Slipknot have always been a band of strong

The album functions as a single, continuous piece of art. Interludes like "Insert Coin" and "Death Because of Death" act as eerie cinematic bridges. They build psychological tension before the band delivers crushing sonic violence.

The masks—a cornerstone of the band's identity—evolved significantly. Taylor collaborated with legendary horror effects master Tom Savini to create a translucent, scarred visage that looked intentionally unsettling. Sid Wilson sported a hyper-realistic prosthetic mask of his own face, while new percussionist "Pfaff" (dubbed "Tortilla Man" by fans) wore a stitched-together, decaying leather shroud. The music videos, particularly for "Unsainted," leaned heavily into occult imagery, cult aesthetics, and psychological horror. Reception and Legacy

For a band that has faced the death of members (Paul Gray), the departure of legends (Joey Jordison, Chris Fehn), and the relentless pressures of the music industry, We Are Not Your Kind stands as a defiant statement. It is the sound of a band re-forging their identity in the fire of their own anguish. It is, as the title suggests, not for everyone. But for their "kind"—the outcasts, the broken, and the furious—it was an instant classic. It's an album that doesn't just look back on 20 years of history; it fearlessly carves a path forward.