Linda Lovelace Dogarama- 1969 !!install!! < Official Anthology >

However, decades later, witnesses to the shoot emerged to challenge this version of events. In , cinematographer Larry Revene gave his first public interview regarding the film. He asserted that no coercion occurred on the set. He described Boreman as a "willing participant" who did not appear frightened or forced. Similarly, actor Eric Edwards , who was present, stated that there was no "obvious coercion" and that Lovelace "appeared to be a cooperative performer".

Linda Lovelace, a figure synonymous with experimental cinema, approached filmmaking with a rebellious disregard for traditional narrative structures. "Dogarama," much like her other works, defies easy categorization. It's a film that resists summary, existing instead as an experiential entity that envelops its viewers in a world of abstracted realities and surreal landscapes. Linda Lovelace Dogarama- 1969

: In the world of film history, it is categorized as a "ghost film"—a title that exists in the public consciousness but never existed on celluloid. Cultural Context However, decades later, witnesses to the shoot emerged

: Bestiality (zoophilia) was—and largely remains—illegal and highly taboo in most jurisdictions. Production of loops like Dogarama happened strictly underground. He described Boreman as a "willing participant" who

A comparison of versus modern media

The film is characterized as cheaply made and taboo-breaking, with limited artistic or narrative value, focusing solely on the exploitative act.

Before the 1972 release of Deep Throat propelled Linda Lovelace into global mainstream notoriety, her early career was shaped by underground, short-format 8mm silent films known as "stag loops". Among the most controversial of these early works is —a 15-minute underground short featuring bestiality that became a central point of contention in Lovelace's later life, legal battles, and her transition into an anti-pornography activist.