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The music on "Memoirs of the Reaper" is a fusion of hip-hop, jazz, and soul, with Gibson's lyrics painting vivid pictures of life, death, and the afterlife. The album's production is handled by a range of talented producers, including Oh No, Daedelus, and Flying Lotus, who bring their unique styles to the table.

The cohesive soundscape of Memoirs of the Reaper is largely credited to Gibson’s long-time collaborative producers, most notably . The production blends elements of cloud rap, trap, lo-fi electronic music, and psychological horror movie scores.

The album’s title and cover art lean heavily into the "Grim Reaper" persona, a character Gibson views not as an omen of death, but as a misunderstood "holder of time". This philosophy permeates the tracklist, where he balances "braggadocious swagger" with samples reminiscent of horror movies and playful, often surreal, references to anime and video games.

One of the key draws of the album is its concise nature. At 11 tracks, it’s "concise and devoid of filler," making for a tight and engaging listen. Here is the complete tracklist, as listed across various music databases:

By 2017, Azizi Gibson was already a respected name in the underground rap scene. He had previously been signed to Flying Lotus’s prestigious Brainfeeder label, an association that cemented his reputation for selecting experimental, left-of-center beats. After striking out independently with his own label, preHISTORIC, Gibson enjoyed complete creative freedom.

If you are looking for more information about the album's production or looking to purchase a copy, I recommend visiting Azizi Gibson's official Bandcamp page. If you are interested, I can also: Give you a . Compare this album to A New Life . Suggest similar indie-rap projects to listen to. Which of these AI responses may include mistakes. Learn more

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Named after the Japanese word for "fool," this track leans heavily into Gibson’s anime influences. It features aggressive vocal inflections and serves as a direct warning to his detractors. 10. All In

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