Through her encounters, Aida begins to realize that the world is both beautiful and cruel, full of contradictions and paradoxes. But she also discovers that beyond the mountains and hills, there is a deep sense of connection and community that transcends borders and cultures.
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Despite mixed reviews, the film garnered significant recognition, including: Beyond The Mountains And Hills 2016 Ok.ru
The story follows the Greenbaum family as they navigate personal crises that mirror broader national tensions:
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One standout scene involves David walking alone at night through a new residential development. The houses are identical. The streets are empty. Kolirin holds on David’s back for nearly three minutes. He is a man literally surrounded by walls he cannot climb. No dialogue is needed. Through her encounters, Aida begins to realize that
Why? Because it is deliberately unrewarding. The Band’s Visit had humor and cross-cultural warmth. This film has neither. It demands patience and rejects catharsis. One critic called it “a two-hour session of watching paint dry over a cracked heart”—and meant it as a compliment.
| Feature | Details | | :--- | :--- | | | Me'Ever Laharim Vehagvaot (מעבר להרים ולגבעות) | | Director | Eran Kolirin | | Release Year | 2016 | | Running Time | 90–100 minutes | | Country of Origin | Israel, Belgium, Germany | | Language | Hebrew | | Festival Debut | Un Certain Regard section, 2016 Cannes Film Festival | | Main Cast | Alon Pdut, Shiree Nadav-Naor, Mili Eshet, Noam Imber, Yoav Rotman, Mohamed Naama |
| Source | Key Quote / Sentiment | | :--- | :--- | | | "A poignant and political family drama hampered by languid pacing... starts off lightly and moves into significantly darker territory". | | Variety | "An alternately profound and problematic film that forces audiences to question their own complicity in the dysfunctionality of Israeli society". | | The Jerusalem Post | "An ambitious and highly symbolic look at the malaise and corruption of Israeli society... collapses under its own ideological weight". | | Letterboxd | "The film is not as dour as it sounds, with flashes of irony peppered throughout, and some unexpected lyricism". | The streets are empty
: The soundtrack is peppered with classic Israeli "consensus" songs, which provide a sharp, ironic contrast to the violence and ethical failures unfolding on screen. Critical Reception
: The quiet, introverted younger son who processes his aggression by executing cruel revenge against a classmate.
The story begins with (Alon Pdut), a Lieutenant Colonel who retires after 27 years of military service. Returning home, he find himself a stranger in his own house, struggling to adapt to a "new Israel" that is hyper-competitive and obsessed with commercial success.
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